If History Has Taught Us Anything…….

[photopress:10c762e89da0a866c1074110._AA240_.L.jpg,full,alignright]“Just Take It In Little Bits At A Time”. That’s was the formula for getting the most out of a book called “The Keepers Of The Light” .
Sitting at a luncheon on the Riviera, I was introduced to a man who knew things. Photographic things. Image things.
And we talked.
He told me of a book that would change the way I thought about photography. But there was a secret to this book: only read a few pages at a time. Digest well. Move on to the next.
Yeah, right.
I am used to taking my photography in huge bites, with a chaser of actual shooting to feel the rush of the whole visual experience.

So I found this recommended, but unfortunately, out of print, book, from a seller on AMAZON. It arrived last week.

The full title is “The Keepers of the Light : A History & Working Guide to Early Photographic Processes by William Crawford”. Yeah, sounded pretty dry to me too.

There are such deep roots exposed in this book, that all I can do is consume this in small doses. Like a truffle, a little goes a long way.
As the author describes photography in printmaking terms , he describes and exposes the first means of making a photographic prints. Ambrotype, Platinum, Photogravure, Carbro and many other photographic printing processes are here but laid out with an aesthetic in mind. The psychological root of the image, and where photography’s place is in that history.

Here is a small sample:
” One could never hope to understand the significance of photography until one understood the nature of the problem photography solved…..photography’s greatest achievement was to make possible communication through exactly repeatable pictorial statements without the distortion of linear syntax”

Yeah, small bites.

It’s one you may want to find to peruse on your stay-cation. Worth the $20.

We’ll let you know more as we keep nibbling away at it.

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Upcoming Events

  • WPPI
  • Feb. 27-March 6, 2014
  • MGM Grand
  • Las Vegas, Nevada
  • International Consumer Electronic Show
  • AIPAD
  • APRIL 10-13, 2014
  • PARK AVENUE ARMORY | 643 PARK AVENUE
  • NEW YORK, NY 10065
  • The Association of International Photographic Art Dealers

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Current Exhibitions

  • Annenberg Space For Photography
  • “The Power of Photography: National Geographic 125 Years”
  • Current to April 27th, 2014
  • 2000 Avenue of the Stars, #10
  • Century City, CA. 90067
  • Tel: 213.403.3000
  • ICP
  • Capa in Color
  • January 31–May 4, 2014
  • 1133 Avenue of the Americas at 43rd Street
  • New York, NY 10036
  • Phone: 212.857.0000
  • Getty Center
  • A Royal Passion: Queen Victoria and Photography
  • February 4–June 8, 2014
  • 1200 Getty Center Drive
  • Los Angeles, CA. 90049
  • Tel: 310-440-7300
  • Yossi Milo Gallery
  • David Goldes, Electro-graphs
  • January 30–March 8, 2014
  • 245 Tenth Avenue
  • New York,NY 10001
  • Tel: 212-414-0370
  • Howard Greenberg Gallery
  • Bernice Abbott and Charles Marville
  • February 27-April 12,2014
  • 41 East 57th Street, Suite 1406
  • New York,NY 10022
  • Tel: 212-334-0100
  • Staley-Wise Gallery
  • Real and Surreal
  • Feb. 27-April 19th, 2014
  • 560 Broadway
  • New York,NY
  • 10012
  • Phone: 1-212-966-6223
  • Museum of Modern Art
  • A World of Its Own: Photographic Practices in the Studio
  • February 8–October 5, 2014
  • 11 West 53rd Street
  • NYC,NY
  • 10019-5497
  • (212) 708-9400
  • Metropolitan Museum of Art
  • Charles Marville: Photographer of Paris
  • January 29–May 4, 2014
  • 1000 Fifth Avenue (at 82nd Street)
  • New York, NY 10028
  • Phone: 212-535-7710

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