OK Everybody, Settle down..Theres enough sales for everybody: The Democratization Of Stock Photos

A few weeks ago we let you know about PhotoShelter’s new push in the stock photo world with Shoot The Day! They have done their homework and found out what the people who buy the photographs really need. And we’re talking about the subject matter.

Then The big boys come in like Corbis with SnapVillage, where you can sell your images for reuse for $1-$50. You have to hope you sell them a lot of times. Seriously though, check ‘em out for the details.


Today, Getty Images announced a partnership with Flickr.

Yeah, that’s what we said. You know the place where everyone uploads their pix with subjects from party time, semi pro work; artistic (or fartistic), and even Nikon has its own site within Flickr.
What Getty will do is seek out the work that they feel their clients want to buy and broker the deal. Click the link above to get some initial FAQ’s hopefully answered.

Here’s the real truth (redundant?) photographers:

As one who has worked in advertising agencies for years, the honest deal is art directors are CONSTANTLY scanning any and all sites, Flickr being the biggest and having best search engine, for the most real images out there to use in either presentations, or perhaps even a small “borrow” for a web design. Yes, I guess borrow is as good a word as any.

Just a fact. Even if you have your site made in FLASH, it can still be grabbed. Cheap software programs can do that. Not at a great resolution but they can. And when you are looking to represent a lifestyle, what better way than the photos from real life, posted by an enthusiast.Not the posed stuff, not the overly art directed stuff. Apparently authentic materials.

So, if you want to have some representation, even for your snapshots, this may be a new revenue stream.
Of course with the Getty deal, they take a substantial percentage and you can’t sell the photo anywhere else.

Check it all 3 and see which may work for you. You know there are a ton of choices, but you also want to be with the company that the people who actually buy photos will go.

We’ve now shown you some high end and some lower end trends in stock photography.

The point is that the democratization of the sales market of photographs has dropped the prices for reuse, but made so many more of the authentic digital images available.

Looping back around to PhotoShelter, it’s their research that showed how much of this modern imagery is needed. When was the last time you saw an ad with someone staring at a full size CRT monitor? Methinks it is pretty much flat screens around. And it seems there are not enough stock photos of those.

See what we mean?

Who knows whom Getty will pick from the herd of photographs at Flickr. If it’s you, let us know how it all works out.

Honestly, we would love to see every shooter making bank, in as many ways as possible.
All of this news just opened the door for even the talented neophyte.

Maybe now it will be easier to afford that new piece of glass you’ve been looking at. Or the full tank of gas you’ve been after.

Right on.


Leave a Reply

Sign up for our Free Newsletter and become eligible for the Weekly Giveaway

Featured Advertisers

Latest News


Tags

Weekly Giveaway

Now Playing

Visit our Video Page!

Contest Winners

  • Congratulations to:
    Ramona I., of Corabia, Romania
    the Winner of: ThinkTank Photo Media wallets
    And:
    Allen S. of Bronx, NY
    the Winner of: “Digital Wedding Photography: Capturing Beautiful Memories” book.
  • Sign up for the NEWSLETTER for a weekly recap and to be eligible for
    free stuff!

Upcoming Events


  • Paris-Photo in LA
    :

    April 26-28, 2013
    Paramount Pictures Studios
    5555 Melrose Avenue
    Los Angeles, CA 90038

Hot Links

Current Exhibitions

  • ICP

  • Roman Vishniac Rediscovered;We Went Back: Photographs from Europe 1933–1956 by Chim

  • January 18–May 5, 2013
  • 1133 Avenue of the Americas at 43rd Street
  • New York, NY 10036
  • Phone: 212.857.0000
  • Getty Center
  • Japan’s Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto
  • March 26th – August 25th, 2013
  • 1200 Getty Center Drive
  • Los Angeles, CA. 90049
  • Tel: 310-440-7300
  • Yossi Milo Gallery
  • MIKE BRODIE, A PERIOD OF JUVENILE PROSPERITY,
  • March 7 – April 6th 2013
  • 245 Tenth Avenue
  • New York,NY 10001
  • phone: 212-414-0370
  • Howard Greenberg Gallery
  • William Klein: Paintings, Etc.
  • March 1st- April 27th , 2013
  • 41 East 57th Street, Suite 1406
  • New York,NY 10022
  • Tel: 212-334-0100
  • Staley-Wise Gallery
  • Bert Stern: Original Mad Man
  • April 5th – May 11th, 2013
  • 560 Broadway
  • New York,NY
  • 10012
  • Phone: 1-212-966-6223
  • Museum of Modern Art
  • The Shaping of New Visions: Photography, Film, Photobook
  • April 16, 2012–April 29, 2013
  • 11 West 53rd Street
  • NYC,NY
  • 10019-5497
  • (212) 708-9400
  • Metropolitan Museum of Art
  • After Photoshop:
    Manipulated Photography
    in the Digital Age
  • September 25, 2012–May 27, 2013
  • 1000 Fifth Avenue (at 82nd Street)
  • New York, NY 10028
  • Phone: 212-535-7710

ADVERTISE

Want to advertise on Photoinduced? We have several options available. Learn More.

Call Me

Featured in Alltop

web100-top100

Add to Google Reader or Homepage

Archives

Subscribe