We’ve Just Been Schooled.

The Printed Picture
Museum of Modern Art – October 17, 2008–June 1, 2009


Taking you from the very beginnings of the printed image, not necessarily photographs, you are presented with images and their magnified details to truly see what makes up that printed page. Whether it’s 0′s and 1′s, or squares, or a dot screen used to translate a photograph to paper media.

You know, it’s not just as simple as “is a Silver Halide Print better or worse than an inkjet print ?” Far from easy to answer, the history of printing is presented in a most palatable, yet scholarly exhibit we have ever experienced.
It’s thick and rich, and the 90 minutes we spent there only touched on the main points. Hope we have time to return while in NYC or a return trip.

One of the more stunning examples is a photograph by Nicholas Nixon of his wife and 3 sisters, whom he’s photographed for the past 30 years.
In one grouping, you see the original image, contact printed from the 8×10 negative onto silver halide paper. Then an enlargement for the same neg, finishing of the comparison with an inkjet print from the scanned neg.

You’ll see a difference, but the exhibit never judges. The validity of all of the images throughout remains intact.

Although when they show a page from Robert Frank’s “The Americans” in it’s original roto printing from the late 50′s, next to the same image from a subsequent reprint in the 60′s, the mass print technology for book images was sorely lacking at that time, and the subtleties of the image are blocked up and lost in the the heavy handed inking. Rest assured the new printing of that book by Steidl has restored the nuances.


Luckily, there is a companion book, The Printed Picture. And this one, brings you all of the information from the exhibit, with incredibly excellent print quality on the images. With the written descriptions, explanations, and history, you should pick up this book, so you can understand the legacy of what we deal with everyday in the comfort of your home.

Produced as almost a tribute to the late John Szarkowski, former director of the MOMA photography dept., you should see it in person if you can. But this book just found a place on our bookshelf. It’s going on the holiday list, for sure.

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Upcoming Events

  • WPPI
  • Feb. 27-March 6, 2014
  • MGM Grand
  • Las Vegas, Nevada
  • International Consumer Electronic Show
  • APRIL 10-13, 2014
  • NEW YORK, NY 10065
  • The Association of International Photographic Art Dealers

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Current Exhibitions

  • Annenberg Space For Photography
  • “The Power of Photography: National Geographic 125 Years”
  • Current to April 27th, 2014
  • 2000 Avenue of the Stars, #10
  • Century City, CA. 90067
  • Tel: 213.403.3000
  • ICP
  • Capa in Color
  • January 31–May 4, 2014
  • 1133 Avenue of the Americas at 43rd Street
  • New York, NY 10036
  • Phone: 212.857.0000
  • Getty Center
  • A Royal Passion: Queen Victoria and Photography
  • February 4–June 8, 2014
  • 1200 Getty Center Drive
  • Los Angeles, CA. 90049
  • Tel: 310-440-7300
  • Yossi Milo Gallery
  • David Goldes, Electro-graphs
  • January 30–March 8, 2014
  • 245 Tenth Avenue
  • New York,NY 10001
  • Tel: 212-414-0370
  • Howard Greenberg Gallery
  • Bernice Abbott and Charles Marville
  • February 27-April 12,2014
  • 41 East 57th Street, Suite 1406
  • New York,NY 10022
  • Tel: 212-334-0100
  • Staley-Wise Gallery
  • Real and Surreal
  • Feb. 27-April 19th, 2014
  • 560 Broadway
  • New York,NY
  • 10012
  • Phone: 1-212-966-6223
  • Museum of Modern Art
  • A World of Its Own: Photographic Practices in the Studio
  • February 8–October 5, 2014
  • 11 West 53rd Street
  • NYC,NY
  • 10019-5497
  • (212) 708-9400
  • Metropolitan Museum of Art
  • Charles Marville: Photographer of Paris
  • January 29–May 4, 2014
  • 1000 Fifth Avenue (at 82nd Street)
  • New York, NY 10028
  • Phone: 212-535-7710

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