Readers Viewpoint: This week- Joe Klementovich

And now a word from one of our readers:

[photopress:jared_Cx.jpg,full,centered]

I will pass along a story I’m not real proud of but it is a testament to the bombproof bodies Nikon makes and to perhaps ease some of the fears that people have about the delicacy of DSLR’s.

It’s February, cold and clear maybe 10 or 15 degrees, I’m hanging off a cliff, 50 feet up on a fixed rope bundled up in big gloves and an even bigger down jacket. Waiting for Jared Ogden to make his way up some horrendous mixed rock and ice climb, I reach back and pull my hood on, at the same time oblivious to the fact that I’m pulling my camera strap over my head as well. I watched in horror as my D70 and 17-55mm lens rockets to the unforgiving rocks and dirt below, I managed to mutter a warning to the climbers below. My camera now just a blur, barely missed a friend watching everything unfold. I stared in shock at the body and lens lying on the frozen dirt, snow and rocks. As I made my way back to the bottom of the cliff I saw the twinkling of the LCD. “No, this can’t be, it’s not in a million pieces!” I fully expected to see a cloud of black plastic and glass spread around a small crater. Still somewhat dazed, I gingerly reached down and slowly turned it off and back on again, removed the lens and gently worked the shutter, and then continued to shoot the rest of the day. I didn’t even crack the filter. Call it divine intervention, dumb luck or just good Japanese design and craftsmanship, I like it and probably won’t ever change brands.

The image above is a shot of Jared minutes after I dropped my camera.

© Joe Klementovich
www.klementovichphoto.com

We love getting submissions from all of you. This will now be a weekly feature.
If you have an article you’ve written that you would like to share, please submit it to:damonw@photoinduced.com
All we need is 250-300 words, and an image.

Cheers!
Damon Webster

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Upcoming Events

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  • Oct.30-Nov.1, 2014
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Current Exhibitions

  • The Getty Museum
  • “Convergences: Selected Photographs from the Permanent Collection “
  • July 8–October 19, 2014, The Getty Center
  • 1200 Getty Center Drive
  • Los Angeles, CA 90049
  • Tel: 212.570.3600
  • Whitney Musuem
  • “Edward Hopper and Photography”
  • July 17th – Oct.19th, 2014
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  • New York City, New York 10021
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  • Annenberg Space For Photography
  • “Country: Portraits of American Sound”
  • May 31st -Sept. 28th, 2014
  • 2000 Avenue of the Stars, #10
  • Century City, CA. 90067
  • Tel: 213.403.3000
  • ICP
  • Sebastio Selgado – Genesis
  • Sept.19, 2014 – Jan 15th,2015
  • 1133 Avenue of the Americas at 43rd Street
  • New York, NY 10036
  • Phone: 212.857.0000
  • Getty Center
  • Convergences: Selected photographs from the Permanent Collection
  • July 8th-Oct.19th, 2014
  • 1200 Getty Center Drive
  • Los Angeles, CA. 90049
  • Tel: 310-440-7300
  • Yossi Milo Gallery
  • Marco Breuer -Zero Base
  • Sept.4th- Nov.1, 2014
  • 245 Tenth Avenue
  • New York,NY 10001
  • Tel: 212-414-0370
  • Howard Greenberg Gallery
  • Saul Leiter
  • Sept 18- Oct. 25th, 2014
  • 41 East 57th Street, Suite 1406
  • New York,NY 10022
  • Tel: 212-334-0100
  • Staley-Wise Gallery
  • Underwater
  • July 11th-September 15th, 2014
  • 560 Broadway
  • New York,NY
  • 10012
  • Phone: 1-212-966-6223
  • Museum of Modern Art
  • A World of Its Own: Photographic Practices in the Studio
  • February 8–October 5, 2014
  • 11 West 53rd Street
  • NYC,NY
  • 10019-5497
  • (212) 708-9400
  • Metropolitan Museum of Art
  • Now You See It: Photography and Concealment
  • March 31st-Sept 1, 2014
  • 1000 Fifth Avenue (at 82nd Street)
  • New York, NY 10028
  • Phone: 212-535-7710

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