Who’s Zooming Who? Consider The Primes.

Prime lenses were the way to go for years. The thought used to be that a zoom lens was cheating a bit, or using a piece of glass that wasn’t quite up to snuff.
Sure, there were a few lenses that were in consideration like the 80-200 2.8 lens first introduced in 1978. Not a lot were made.
But you always carried the primes, meaning the dedicated, single focal length lenses.
Those lenses had enough glass and design to ensure the best image possible. No worries that there would be falloff at a zoomed focal length. Even if it wasn’t a professional, fast lens, stopped down it would be tack sharp.

Why am I talking about this history? Because right now, I’m sure most of you are carrying around a variety of zoom lenses, covering a range from 12-200 mm, with the only primes being perhaps a 300mmm or a 400mmm, if you’re shooting sports.

What the heck happened? Yes, lens technology has made leaps and bounds in through the years. The zoom lenses that are the staple of every starter kit take care of a lot of photo taking needs.

Doesn’t anybody want to commit anymore? And I’m talking focal length here.

[photopress:353_1931_AF_NIKKOR_85mm_f_1.8D_png.jpg,full,centered]
To test the metal, as it were, I recently used an 85mm 1.8 lens from Nikon. there were some portraits to do so, it was a good choice.

The first thing to hit, was the heft. This is a solid lens. As my fingers wandered about unconsciously feeling for the extra zoom ring, they were left without a target.
My feet were to become the zoom.
This was a good feeling. My mindset was just walk into the shot, frame it, and move on. The split second of extra choice was gone. Oh, yeah it was an odd felling at first. Stopped me cold for a second. But then the feet got moving. And then settled into a zone.
Commitment. Felt real good.

OK, that was the feel. Then there was the classic framing, with the focal depth that didn’t distort .

Here is an example.

[photopress:lily_86xfinal_.jpg,full,centered]
Now this was also shot using a Nikon SB-800 Flash in wireless mode, bounced into a reflector. The location was a doorway with a slightly stained stucco wall, behind the model, which was blown out with a balanced exposure between the flash and the afternoon light.
The shutter speed was 1/160, f/3.2, ISO 200 using a D300.
The results had an extra crispness and a natural contrast that added to the shot, thanks to the lens.
Plus the photo was worked on in Photoshop Elements and using a bit of a Wacom Bamboo tablet, both mainly for workflow and slight enhancements.

But more of that later this week.

We’ll get into an easy lighting setup and workflow arrangement and tools that will get you into the right systems, but using less dough for now.
The skills you learn will carry you to the next level of all of these tools, when you are ready. Or need it.

OK, where was I………..?

Oh right. Prime lenses. Using this single focal length lens was the right exercise that made me commit in the shot. I moved around more, but once the sweet spots were found it became two shooting points: head and shoulders and more full length.

The first camera I owned came with a 50mm lens. Worked that puppy till I couldn’t figure out anymore angles or exposure combos.
Then moved to multiple lenses and bodies. All using primes.
I can move fast enough with the zoom, but unless I’m using a f 2.8 or better zoom, I pay in quality. Not that a lot of folks may notice or need.
For instance, love the 18-200 Nikon lens. Carry it all over the world. But I know what it’s good for and what it’s not good for.
Is it the sharpest lens in the bag?
Nope.
Is it the right choice for travel and limited space?
Yep. Excellent Range. Vibration reduction . And incredible close-up capabilities.
Like we always say: right tool for the right job.

So the final point is this; treat yourself to a high quality, prime lens. Think about what you mainly shoot and choose wisely.
Or, if you are near a rental house do a weekend rental to check it out.
(Whoops…commitment issues again.)
Get one though, If you don’t already have one.

It’ll make you appreciate the choices you make.


One Response to “Who’s Zooming Who? Consider The Primes.”

  1. Rob Davidson says:

    Couldn\’t agree more, in fact I\’ve highly recommended primes as a first choice for lenses. Here\’s my article on the subject:
    http://robsinlight.wordpress.com/2008/03/21/what-lens-should-i-buy/

    Keep up the great site!

Leave a Reply

Sign up for our Free Newsletter and become eligible for the Weekly Giveaway

Featured Advertisers

ASP_War_Banner_300x250_animated_B

Latest News


Tags

Weekly Giveaway

Now Playing

Visit our Video Page!

Contest Winners

  • Congratulations to:
    Ramona I., of Corabia, Romania
    the Winner of: ThinkTank Photo Media wallets
    And:
    Allen S. of Bronx, NY
    the Winner of: “Digital Wedding Photography: Capturing Beautiful Memories” book.
  • Sign up for the NEWSLETTER for a weekly recap and to be eligible for
    free stuff!

Upcoming Events


  • Paris-Photo in LA
    :

    April 26-28, 2013
    Paramount Pictures Studios
    5555 Melrose Avenue
    Los Angeles, CA 90038

Hot Links

Current Exhibitions

  • ICP

  • Roman Vishniac Rediscovered;We Went Back: Photographs from Europe 1933–1956 by Chim

  • January 18–May 5, 2013
  • 1133 Avenue of the Americas at 43rd Street
  • New York, NY 10036
  • Phone: 212.857.0000
  • Getty Center
  • Japan’s Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto
  • March 26th – August 25th, 2013
  • 1200 Getty Center Drive
  • Los Angeles, CA. 90049
  • Tel: 310-440-7300
  • Yossi Milo Gallery
  • MIKE BRODIE, A PERIOD OF JUVENILE PROSPERITY,
  • March 7 – April 6th 2013
  • 245 Tenth Avenue
  • New York,NY 10001
  • phone: 212-414-0370
  • Howard Greenberg Gallery
  • William Klein: Paintings, Etc.
  • March 1st- April 27th , 2013
  • 41 East 57th Street, Suite 1406
  • New York,NY 10022
  • Tel: 212-334-0100
  • Staley-Wise Gallery
  • Bert Stern: Original Mad Man
  • April 5th – May 11th, 2013
  • 560 Broadway
  • New York,NY
  • 10012
  • Phone: 1-212-966-6223
  • Museum of Modern Art
  • The Shaping of New Visions: Photography, Film, Photobook
  • April 16, 2012–April 29, 2013
  • 11 West 53rd Street
  • NYC,NY
  • 10019-5497
  • (212) 708-9400
  • Metropolitan Museum of Art
  • After Photoshop:
    Manipulated Photography
    in the Digital Age
  • September 25, 2012–May 27, 2013
  • 1000 Fifth Avenue (at 82nd Street)
  • New York, NY 10028
  • Phone: 212-535-7710

ADVERTISE

Want to advertise on Photoinduced? We have several options available. Learn More.

Call Me

Featured in Alltop

web100-top100

Add to Google Reader or Homepage

Archives

Subscribe