Nikon 1 gets a 2 Stop Upgrade: J4 and S2 models

With the continued success of the Nikon 1 series, they have come out with 2 newer models, the Nikon 1 J4 and Nikon 1 S2, incorporating the learnings from other models in the Nikon family.

Designed for the photographer looking for a lightweight solution with the versatility of a DSLR, and for the family shooter looking for a smartphone upgrade. 


What very family photog wants and needs is a camera that can capture life as it happens, not seconds later. With 20 frames per second you can be assured of having that perfect moment captured forever. No smartphone will get that part right. Especially at a full resolution 18.4 or 14.2 megapixels, depending on your camera.

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ToiletPaper Magazine – When an artist creates without words

I spend a lot of time as an art rat.

Galleries, museums, sites, pop-up stores, small press runs. You never know what you may see. Many times it’s a bit of the same struggle of vision.

Don’t get me wrong: I love classic imagery. The masters have much to say, to show us, and help us develop our own languages.

When someone grabs you by your unique brain cells, and visually challenges you, I, for one, stand up and applaud.

Toilet Paper magazine is just that.

“On the occasion of his sensational retrospective at the Guggenheim Museum in New York, Italian provocateur Maurizio Cattelan announced that he was retiring from art. In fact, his new career had already begun in 2010 with Toilet Paper magazine is just that. magazine-cum-artist’s book containing no text, only full spreads of color photographs that appropriate the slick production values of commercial photography to deliver dreamlike (or nightmarish) images. Since the first issue, in June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy. ”

The imagery isn’t always easy to take, or appropriate for the office (the new rating system) but it is worth your $13.00 to have a look at an issue. Today, I was at the Museum of Modern Art store and was reminded of this artists work, as it was featured.



Controversial artists wake us up, question us, offend us, make us angry, make us explore.

I share this magazine info with you with that word of caution. It’s not for everyone and be forewarned.

For adults only.


M is for the many things she gave me…..

This article is being reprinted from a previous posting. For Mothers Day, I felt it was a fitting post in her honor. And remember to honor your mother, in what ever way you see fit.
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Sony World Photography Awards : Winners announced!

It’s always a great time of year when the Sony World Photography Awards are presented.

Put down the gear, and for a moment, revel in some of the fine images being feted this year. Along with a sample photo of from the winners, I’ve included a short descriptor from the photographer. I hope next year, your photos will win and be posted here.

L’iris d’Or | Photographer of the Year: Sara Naomi Lewkowicz
Contemporary Issues

Shane and Maggie. Domestic violence is a largely invisible crime. We hear it muffled through walls, and we usually only see it manifested in the faded yellow and purple bruises of a woman who “walked into a wall” or “fell down the stairs”. It is rarely limited to one event, and it rarely stops. “Shane and Maggie” takes a deeper, unflinching look at domestic abuse as a process, as opposed to a single incident, examining how a pattern of abuse develops and eventually peaks, as well as its short and long-term effects on victims, their families, and their abusers.


130413540556097500_5_Sara-Lewkowicz_USA_1st-Place,-Contemporary-Issues_Professional-Competition-2014_600x411-3© Sara Naomi Lewkowicz, USA, 2014 Sony World Photography Awards.

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SXSW 2014 : When you see things that can’t be unseen

(Please note: there are photos posted after the jump from the tragedy at SXSW on 3/12/14 that may be disturbing.)

Austin, 3/11/14 – I had just finished shooting the ST. Vincent set at Stubbs. One of the most electric shows of SXSW, and the visuals that accompanied the off the chain guitar, made my night. She was incredible!


But one of the companies I was new to working with, had a venue a block away at the Mohawk. Music and signage. I stood outside Stubbs debating: go home, process the images and get em out, or continue on.

Had to press on.

With my Nikon D800 on the wrist strap and a 20mm lens in place, I set some exposure, and figured I’d get some late night crowded street shots outside of venues. I almost went under a rope to get closer to the sidewalk as I walked to the Mohawk. They dropped the rope so i stayed where I was, closer to the middle of one lane. The street was closed off and people lined up and milled about all over.

To my right, I heard the squeal of tires, and turned. A car that seemed to be going 70-80 miles an hour was screaming down the down, and the horror began. As i turned to my right one person was hit and almost simultaneously another on the other side. I can still hear The deadly thuds and screams as the car continued speeding down the block. After the person next to me was hit, the camera in my hand fired off a series of shots. You could see the police car enter the street and could probably time them by the sequence.

911 was busy, busy, busy. People rushed out to help friends, but I always thought the thing to do was not to touch them in case of trauma. I wandered through the street of innocents, broken and bloodied, and was in a daze. More photos were taken as I walked, still with phone to my head. The police and EMT’s had arrived, and I saw them tending to all and desperately trying to revive certain victims. Some iPhone videographer was asking questions, and everyone had opinions of what happened. Seems that a DUI suspect, fled the cops and went down a street that had been blocked to vehicles, but not well enough. More on that later.

2 blocks away the party continued. There was no sense of the tragedy. By the time I got back to the hotel, about 10 blocks away, I was numb.
Processing the experience was near impossible. I posted on my FB page what had happened but the CF card was still in the camera. Couldn’t face it right then. Hard to do now.
But what to do with the images? Could they be of use?
I contacted the police, and never heard back. The next day, I sent them a set of images. At least with a sequence of timestamped images, they can show how fast they were going in pursuit.
Still no response to this day.
So the question goes to photographers: What do you do? In war, the images are meant to tell us a story. The Kent State tragedy left us with an image burned into our memories.
The iconic My Lai Massacre photo, Nick Ut brought change, once people were confronted by the horror of Napalm, and the innocents destroyed by it.
This is not war. This is a horrific tragedy.
The camera was in my hand and I shot. Would I have reached into my bag to get a camera if it wasn’t in my hand? Probably not.
It was still very hard to look at the images again for this posting.

I can’t reconcile the lives of these poor innocents, just trying to hear some music and party, ripped apart in an instant.

What I do hope is that next year at SXSW, when a road is blocked off, NO vehicle can enter it, til the blockades are moved. In NYC before an event cement blocks appear ensuring no errant vehicles can enter. Maybe a policy of non-pursuit into a known crowded area. However, I don’t know all of the exact details of why that man drove into the crowd.

As a photographer, what would you do? We can discuss on the Photoinduced FB page, or comment here.

For the first time, I’m posting 2 images from that night. After the jump..

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Upcoming Events

  • Photoshop World
  • Sept. 3-5, 2014
  • Mandalay Bay
  • Las Vegas, Nevada
  • Conference and Expo

Is there an event we should know about?
Let us know on twitter.

Current Exhibitions

  • Whitney Musuem
  • “Edward Hopper and Photography”
  • July 17th – Oct.19th, 2014
  • 945 Madison Ave.
  • New York City, New York 10021
  • Tel: 212.570.3600
  • Annenberg Space For Photography
  • “Country: Portraits of American Sound”
  • May 31st -Sept. 28th, 2014
  • 2000 Avenue of the Stars, #10
  • Century City, CA. 90067
  • Tel: 213.403.3000
  • ICP
  • Urbes Mutantes: Latin America Photography 1944-2013
  • May 16th-Sept.7, 2014
  • 1133 Avenue of the Americas at 43rd Street
  • New York, NY 10036
  • Phone: 212.857.0000
  • Getty Center
  • Convergences: Selected photographs from the Permanent Collection
  • July 8th-Oct.19th, 2014
  • 1200 Getty Center Drive
  • Los Angeles, CA. 90049
  • Tel: 310-440-7300
  • Yossi Milo Gallery
  • Keld Helmer-Petersen
  • July 17th- Aug 29th, 2014
  • 245 Tenth Avenue
  • New York,NY 10001
  • Tel: 212-414-0370
  • Howard Greenberg Gallery
  • A Selection of Photographs from Life Magazine
  • June 26th-August 29th , 2014
  • 41 East 57th Street, Suite 1406
  • New York,NY 10022
  • Tel: 212-334-0100
  • Staley-Wise Gallery
  • Underwater
  • July 11th-August 29th, 2014
  • 560 Broadway
  • New York,NY
  • 10012
  • Phone: 1-212-966-6223
  • Museum of Modern Art
  • A World of Its Own: Photographic Practices in the Studio
  • February 8–October 5, 2014
  • 11 West 53rd Street
  • NYC,NY
  • 10019-5497
  • (212) 708-9400
  • Metropolitan Museum of Art
  • Now You See It: Photography and Concealment
  • March 31st-Sept 1, 2014
  • 1000 Fifth Avenue (at 82nd Street)
  • New York, NY 10028
  • Phone: 212-535-7710

Is there an exhibition we’re missing? Let us know on twitter.