Wet, Metal, Photos – yeah, we’re talking about Tintypes @PhotoboothSF

Tuesday, May 29th, 2012

Billing themselves as “The world’s only Tintype and Polaroid portrait studio” Photobooth SF came onto our radar via the interwebs, and a couple of our chief spotters, Kate and Tito, who scan daily for cool stuff. For you. For us. We watched this video: …and we were hooked. Luckily, ever year we go to the […]

The round Oatmeal box was fine, but Jo Babcock steps it up a notch. Or 5.

Sunday, May 1st, 2011

Have you ever made your own pinhole camera? Based on some very sound physics, you may have used a Quaker Oats round container, punched a tiny hole in the side, places a sheet of film in there, and made your own pinhole camera. Yes? No? Well, if you are reading this you probably know what […]

Academy of Art in SF has a bumper crop of solid talent this year

Wednesday, June 16th, 2010

Every Spring we are lucky to be asked up to the Academy of Art to review the photo depts. students portfolios and give whatever bits of advice we can to help the photographers get to their next level of success. The room is filled with luminaries from the world of photography, who can truly give […]

Annenberg Space for Photography wins again with 2nd exhibit

Friday, July 10th, 2009

“You have to see things other people don’t want to see. You have to do your job” Colin Crawford, Director of Photography Los Angeles Times And that job has been examined and celebrated in the second exhibit at the Annenberg Space for Photography, the new photographic jewel in the crown of Los Angeles. A joint […]

Who’s Next?

Wednesday, May 27th, 2009

Every year I fly up to the Academy of Art to join a group of professionals in reviewing the photographic graduating class’s portfolios. We sit in a room and it is a bit like speed dating: the director of the program puts each student with a different reviewer, and shortly thereafter, calls time and they […]

With a Sense of W. Eugene Smith, Andre Hermann’s Images Will Touch You

Wednesday, May 28th, 2008

It’s a bold statement to compare someone to W. Eugene Smith. But when Andre Hermann brought his work to the reviewing table at the Academy of Art, and showed his 10 images, I was emotionally sucker punched. It was not just the situation of the subject, Garrett, it was the way his story was told. […]

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