Henri Cartier-Bresson, Mexico, 1934, Â© Henri Cartier-Bresson/Magnum
January 19 through April 29, 2007
I first heard about this important exhibit in October. Now that it is so close to opening, you had to get a tip off.
Remember, Cartier-Bresson didn’t usually print his own work. Here is a huge collection of some of the most rare images you will ever have the pleasure to see. And there is a companion catalogue.
This show is the ONLY one in the states. Sounds like its time for trip to the city.
From the website:
“Although Henri Cartier-Bresson (1908-2004) is widely considered one of the world’s greatest photographers, much about his early work remains unknown. For this reason, Cartier-Bresson’s personal scrapbook of his best work from his rich early period (1932-46) provides an extraordinary window onto his process and artistic development, documenting both his travels to Spain and Mexico and his encounters with Surrealism and modern art. At the beginning of World War II, Cartier-Bresson was captured and held in a German prisoner of war camp for three years before he escaped in 1943. To the outside world, Cartier-Bresson was presumed dead, and the Museum of Modern Art in New York was preparing a memorial exhibition (which ultimately took place in 1947). When Cartier-Bresson emerged, alive, he joined the efforts to assemble this retrospective. He selected and personally printed 251 postcard-sized prints of his best works-including many that had never printed before. Upon his arrival in New York in April 1946, he bought a scrapbook into which he meticulously glued all the prints in chronological order. These prints, mostly removed from the scrapbook by Cartier-Bresson in the 1990s, have been reassembled for this occasion. The exhibition is organized by Agnes Sire of the Fondation Henri Cartier-Bresson in Paris, where it first appeared; it will have its sole American venue at ICP. The publication that accompanies the exhibition reproduces all the images chosen by Cartier-Bresson, as well as his correspondence and historical documents.”