Canon announces 7D Mark II

overview_productCanon U.S.A., Inc., a leader in digital imaging solutions, is proud to introduce the EOS 7D Mark II Digital SLR camera, incorporating professional features and quality in an affordable DSLR. Building upon the proven success of the EOS 7D camera, this new EOS model features a range of “EOS firsts” such as Dual DIGIC 6 Image Processors for superb image quality and rapid burst shooting up to 10 frames per second (fps), as well as Canon’s first 65-Point* All Cross Type autofocus (AF) system for compositional freedom and accurate, spot-on fast focus. Great for shooting indoor activities such as sporting events, concerts, or weddings, the camera’s impressive low-light shooting capabilities along with its up-to-10 fps high-speed shooting can capture a fast-break basketball dunk, a band’s encore performance, a bird in flight or wildlife in exceptional quality. In addition, the EOS 7D Mark II is the second EOS DSLR camera to incorporate Canon’s innovative Dual Pixel CMOS AF system for rapid and precise focusing of video as well as still images.

“With more processing power than any other EOS camera available today, the highly anticipated EOS 7D Mark II camera has everything serious photographers have come to expect from Canon’s DSLRs and more,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “And, recognizing that for some, creative expression may expand beyond still photography, we continue to support these creative passions by offering new and innovative Full HD video capabilities, such as second generation Dual Pixel CMOS AF technology in the EOS 7D Mark II camera as well.”

Outstanding Performance
Within the camera’s durable magnesium alloy body resides a newly developed 20.2 megapixel APS-C Canon CMOS sensor and Dual DIGIC 6 Image Processors, safeguarded by enhanced dust and weather resistance to protect the camera. Ideal for shooting in challenging lighting conditions ranging from indoor sports to dimly lit weddings, the camera features a standard ISO range of 100–16000 for both still and video (expandable to ISO 51,600). A new 65-point* All Cross-Type AF system with EV -3 sensitivity at the center point helps deliver sharp focus for still photos even in extreme low-light conditions on subjects with limited visible detail. The EOS 7D Mark II camera also features an enhanced version of Canon’s EOS iTR (Intelligent Tracking and Recognition) AF, originally introduced with the EOS-1D X DSLR camera, enabling the camera to recognize subjects based on face and color detection utilizing the new AE system, and can track subjects using all 65 AF points.

The camera’s improved EOS Scene Detection system features a new 150,000-pixel RGB+IR 252-zone metering sensor for enhanced precision. The wide-area 65-point AF array combined with EOS iTR and adjustable high-speed continuous burst shooting up to 10 fps enables the easy tracking and capturing of fast moving subjects virtually anywhere in the frame such as birds in flight or running backs eluding a tackle. A new and innovative AF Area Selection Lever nestled around the multi-controller on the back of the camera makes it easier than ever for photographers to switch between the seven supplied AF Point Selection modes without removing their eye from the viewfinder.

At 10 fps, the camera’s buffer capacity can consecutively capture up to 31 RAW images or 1,090 Large Fine JPEGs[i]. Built to last, the camera also features a shutter durability rating up to 200,000 cycles, approximately thirty three percent more than the original EOS 7D camera. A newly developed mirror mechanism uses motorized control to help reduce impact and enhance camera performance during high-speed continuous shooting. In addition to adjustable high- and low-speed continuous shooting modes, single-frame shooting and two self-timer settings, the EOS 7D Mark II camera also features silent drive modes for single frame and continuous shooting. The silent settings support discreet camera operation in quiet locations.

The EOS 7D Mark II camera’s advanced AE system can detect and compensate for flickering light sources such as sodium vapor lamps that are often used in gymnasiums and indoor swimming pools. When enabled, this system automatically adjusts shutter release timing to help reduce disparities in exposure and color especially during continuous shooting.

Innovative AF Technology
The EOS 7D Mark II camera features the next generation of Canon’s exclusive Dual Pixel CMOS AF (DAF) technology, originally introduced with the EOS 70D DSLR camera. New DAF features include user-selectable adjustments for Movie Servo AF Speed[ii] and Movie Servo AF Tracking Sensitivity. Additionally, overall focusing speed, face detection performance, and performance in low light and with low-contrast subjects have been improved over previous Canon models. Dual Pixel CMOS AF employs proprietary Canon sensor technology in which effective pixels are able to perform both imaging and phase-detection focus measurement simultaneously to achieve dramatically improved AF performance in both video and Live View still imaging modes.

With Canon’s Dual Pixel CMOS AF system and customizable Movie Servo AF, the camera provides continuous phase-detection AF during video recording for quick and accurate focus tracking of moving subjects over approximately eighty of the image area measured horizontally and vertically. DAF focusing modes include Face Detection with Tracking, FlexiZone Multi with 31 AF zones, and FlexiZone Single that allows users to position a focusing frame on the camera’s LCD screen. Canon’s DAF supports over 100[iii] models of Canon EF lenses (including many earlier models), providing a wide array of options for photographers to explore.

Expanding Creativity
The EOS 7D Mark II Digital SLR camera provides a wealth of creative controls building on the features and functions of the EOS 5D Mark III and EOS-1D X professional digital cameras. The new camera’s AI Servo AF III autofocusing algorithm is similar to that of the EOS-1D X camera in that tracking parameters (tracking sensitivity, acceleration/deceleration tracking, and AF point auto switching) can be easily customized for specific shooting situations, using the same type of AF Configuration Menu. This capability makes it easy for EOS 7D Mark II camera users to match AI Servo AF settings when used together with EOS-1D X and EOS 5D Mark III cameras, while also providing a high level of performance at an affordable price point.

The EOS 7D Mark II camera also offers the same level of High Dynamic Range (HDR) and Multiple Exposure (ME) functionality that was originally featured in the EOS 5D Mark III camera. The HDR mode includes five HDR shooting functions and allows users to save all source images in addition to the composited HDR image. Similarly, Multiple Exposure mode provides four compositing methods and also allows users to save individual source images.

Photographers and cinematographers will appreciate improved custom controls including a built-in intervalometer and bulb timer, also EOS DSLR firsts, to enable the capture of time-lapse images and long- exposure images. These features are ideal for recording fireworks, star trails, sunrises and more.

In addition to optional settings for Peripheral Illumination Correction and Chromatic Aberration Correction, found in other current high-end EOS models, the EOS 7D Mark II camera, for the first time, adds Distortion Correction that operates with most EF and EF-S lenses to improve image quality even further while recording video and in-camera JPEGs. The My Menu feature has also been improved with the ability to store more user-selected settings in five additional tabs.

A new and improved Intelligent Viewfinder provides approximately one hundred percent field of view, while adding the ability to superimpose a customizable selection of camera settings data such as dual-mode electronic level display, grid, exposure mode, white balance mode and AF mode. A bright, three-inch Clear View II LCD monitor (approximately 1,040,000 dots) on the back of the camera displays information and menus clearly even in bright sunlight. The EOS 7D Mark II camera is compatible with interchangeable focusing screens including the standard Eh-A as well as the optional Eh-S Super Precision Matte for use during manual focusing with large aperture lenses.

A built-in GPS[iv] Receiver provides a digital compass and can record location information including longitude, latitude, elevation, camera direction and universal coordinated time (UTC) as EXIF data for geotagging both images and movie files in real time. The built-in pop-up flash is convenient for many applications and can also act as an optical controller with compatible off-camera EX-series Speedlites for enhanced pro-quality lighting effects.

The EOS 7D Mark II camera features dual card slots for SD/SDHC/SDXC and CF memory cards, including Ultra High Speed (UHS-1) SD cards. Data transfer speeds from the camera to a personal computer are enhanced with the addition of a SuperSpeed USB 3.0 port.

Stunning Movie Capability

The EOS 7D Mark II camera offers users the ability to shoot in 1080p Full HD or 720p HD video up to 60p enabling slow-motion capture at full resolution in either ALL-I or IPB codecs with optional embedded time code, exceeding the specifications of other current EOS cameras. Users can also choose between .MOV and .MP4 recording formats for maximum flexibility. The EOS 7D Mark II camera’s mini HDMI port can be used to record uncompressed Full HD video to external recorders.

Canon’s Stepping Motor (STM) lenses, such as the EF-S 18-135mm f/3.5-5.6 IS STM lens, significantly reduce focus motor noise, letting the EOS 7D Mark II camera’s built-in microphone capture clear audio of the scene being shot without picking up unwanted noise from the lens. The EOS 7 D Mark II camera also features a stereo microphone port and outputs stereo audio via the camera’s mini-HDMI port. The EOS 7D Mark II Digital SLR camera is equipped with a headphone jack for real-time audio monitoring, as well as a silent control feature that allows users to adjust audio levels during recordings. Other built-in ports include a PC socket for external flash units and an N3 socket for dedicated Canon wired remote control accessories[v]. A cable protector is provided to maximize safety when using the USB 3.0 and mini-HDMI ports.

Availability
The EOS 7D Mark II Digital SLR camera is scheduled to be available through authorized Canon dealers in November 2014 for an estimated retail price of $1,799.00 for the body only and $2,149.00 bundled with an EF-S 18-135mm f/3.5-5.6 IS STM lens. It will utilize a new LP-E6N lithium ion battery pack with increased storage capacity. The LP-E6N is fully compatible with the LC-E6 battery charger, which will be supplied as a standard item in all EOS 7D Mark II body only and zoom lens kits. Also scheduled to be available are the new optional Battery Grip BG-E16 and optional Wireless File Transmitter WFT-E7A Version 2, with shipping dates and estimated retail pricing to be announced at a later date. Both the EOS 7D Mark II camera and Battery Grip BG-E16 are backwards-compatible to the current LP-E6 lithium ion battery pack.

Samsung Goes Big at Photokina: NX1 Camera with 4K video, & a 50-150mm, 2.8 Lens

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Big day in Photokina today. Samsung, on it’s second big launch in a short stretch, announces the new NX1 Smart Camera.
Shooting 28 MP, at a blazing 15FPS, They are looking to leverage the legacy of Samsung products communicating not only with each other, but now all NFC phones (like the new iPhone 6).
ISO from 100-51,200, and an articulated LCD tilting up 90º and down 45º, workable fro Over the head or low angles shots, but skip the selfies.
You’ve got a phone for that.

It has a Scene features mode and they are: Action Freeze, Beauty Face, Fireworks, Landscape, Light Trace, Multi-Exposure, Night, Panorama (Live), Rich Tone (HDR), Samsung Auto Shutter, Silhouette, Sunset, Waterfall.
Using the DRIMe V Image Processor and an advanced algorithm, the NX1 will track a baseball as it travels to a player, allowing photographers take crisp images of the moment a ball connects with a bat. While these shots can often be difficult to take, the NX1 removes any concern by accurately predicting the right time to trigger the shutter and capture a full-resolution image.
And if you make your NX1 and a smartphone or tablet kiss, The Photo Beam feature allows the transfer of images or videos without any configuration.
Want to share with up to 4 friends at the same time?
MobileLink lets users select multiple images to send to four distinct smart devices at one time, so everyone can treasure photos without the need to take repetitive shots on each individual device

Samsung Electronics America, Inc. (SEA), announces today the launch of the NX1 SMART Camera. This new flagship model combines professional image quality with cinema quality Ultra High Definition (UHD) / 4K resolution video recording and industry-leading SMART connectivity. Samsung also expands its line of professional-grade “S” lenses with the introduction of a new telephoto lens, the NX 50-150mm F2.8 S OIS lens.
Here’s what you have:
*28MP
*Articulated screen
*Wi-fi sharing like crazy
*15FPS
*APS-C sized sensor
oh, yeah: 4K video
Only $1500., body only.

The Official word:

“The NX1 is the new flagship in our award-winning NX line-up. It brings together our SMART camera technology, new 4K video capabilities and Samsung’s fastest AF system to date in a lightweight, portable body. This blend of cutting edge imaging technology appeals to a wide variety of photographers, and makes it one of the most competitive models in its class,” said Ron Gazzola, Vice President of Marketing, Digital Imaging, Samsung Electronics America. “The combination of the new Samsung 50-150mm F2.8 S lens and NX1 delivers an unrivalled shooting experience that gives users the confidence that they’re taking the best images or video in any
situation.”

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Blazing Fast Speed and Superb Image Quality

The NX1 boasts an all new, best in class, 28MP BSI CMOS sensor, which supports Samsung’s fastest autofocus system to date, the NX AF System III. Photographers can quickly focus on subjects, making this camera ideal for photographing a football player as they run down the field or baseball action at home plate. Developed utilizing Samsung’s advanced semiconductor technology, the back side illuminated sensor is capable of gathering more light than conventional CMOS sensors. The new NX AF System III features 205 Phase Detect AF points covering 90 percent of the frame, allowing photographers to quickly focus on their targets. This quick focusing ability allows the camera to achieve 15FPS of continuous shooting while continuously tracking focus. The system also employs a patterned AF Assist Beam that reaches up to 15m and will help to more accurately capture clear photos in low light.

The NX1 also incorporates a new DRIMe V Image Processer that delivers superior color reproduction and works with the camera’s built-in Adaptive Noise Reduction technology to help retain details and remove noise from photos captured at high ISO’s. The advanced algorithm also analyzes details and color in each photo, making sure users always have the clearest image.

Wide Phase Detection gives the NX1 the ability to instinctively track subjects almost anywhere in the frame, regardless of their location. Photographers can capture even the briefest of moments. There is no need to re-compose a shot – they can simply focus and shoot immediately, allowing for extreme speed and flexibility. This technology will be of particular interest to those who love to shoot video, as the NX1 supports the use of Phase Detect AF during movie recording, so that results are stable and steady.

The new Samsung Auto Shot highlights the innovation available in the NX1. Using the DRIMe V Image Processor and an advanced algorithm, the NX1 will track a baseball as it travels to a player, allowing photographers take crisp images of the moment a ball connects with a bat. While these shots can often be difficult to take, the NX1 removes any concern by accurately predicting the right time to trigger the shutter and capture a full-resolution image.

As the only compact system camera on the market with a top deck LCD panel, photographers can easily confirm camera settings, including aperture, shutter speed, ISO, white balance, AF settings, drive and battery life with one glance.

Cinema Quality Video

Videographers and filmmakers can easily shoot cinema-quality video straight from the NX1. Utilizing the next generation HEVC codec, the NX1 is capable of recording smooth and immersive UHD/4K (DCI Standard) video. Users can easily save files directly to the memory card in the camera, eliminating the need to carry hefty external 4K recorders. This is made possible by a built-in HEVC Codec (H.265).

With a myriad of input, output and connectivity options, users will be able to customize their NX1 for their unique recording needs. Additionally, using Samsung’s SMART technology, users can also share their videos directly to any Samsung UHD television via Wi-Fi.

The NX Lens Line-up Gets Faster

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Expanding upon Samsung’s premium line of “S” lenses, the new Samsung 50-150mm F2.8 S lens is the second in the series and affords photographers the opportunity to capture telephoto images with crisp clarity and tack sharp focus in a variety of scenarios. Its fast aperture provides excellent low light performance and beautiful bokeh, making it perfect for sports, nature and wedding photography. The lens features an Ultra-Precise Stepping Motor (UPSM), improved from the conventional Stepping Motor (SM), it is three times more precise in its ability to control and focus on subjects. Photographers can capture sharp photos at low shutter speeds using advanced multi-axis Optical Imaging Stabilization (OIS) with four-axis control and a six-axis sensor array. These sensors detect camera motion, and help the lens to make the precision corrections necessary.
The new telephoto lens features a dust and water resistant build making it both durable and reliable. All of the lens controls, focus, zoom and OIS, are located in a single “function zone” on the side of the lens, making it easy to control.

Smart Connectivity, Tag & Go

Building on the successes of Samsung’s market leading SMART Camera technology, the NX1’s NFC and Wi-Fi capabilities offer the next-generation of connectivity, making it is easier than ever to take advantage of a host of intuitive sharing features. The ‘Tag & Go’ function lets users tap and share memories instantly and easily, pairing the NX1 with NFC enabled smartphones and tablets. Additionally, the NX1 incorporates Bluetooth 3.0 for an always-connected experience with a mobile device. After authenticating the connection via Bluetooth, the NX1 is capable of collecting important time, date and location data and automatically imports it into the image’s metadata. Once authenticated, the connection will automatically switch to a Wi-Fi connection for data transfer.

. AutoShare sends every photo you take instantly to your smartphone or tablet and the Remote Viewfinder Pro function enables control of the NX1 from a smartphone, allowing the user to zoom and snap shots remotely yet still have full visibility of the scene, opening up new photographic possibilities. Manual settings can still be accessed, including shutter speed and aperture, so that photographers can retain camera control yet have another option as to how they want to frame their shot.

And Photokina has just started.

Nikon D750 : All of the things you asked for!

My Nikon D700 has been a good friend for years. Then along came the D800: incredible video specs, 36mp, crazy great body construction.

Of course, the d800 beget the D810 bringing it all to a new level.

But being greedy, there were things I really wanted and had missed. The just announced Nikon D750 took care of those.

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With all of the D810 video features, which are total pro, the D750 delivers some very similar photo specs.

D750_back

It clocks in at a very respectable 24 MP, using the same FX CMOS EXSPEED 4 processor simlar to the D810 and D4s.6.5 FPS at full resolution, newly designed body with a deeper grip. that felt good in the hands.
Here’D750_24_120_lefts 2 of the main new deals : a Variable angle high end LCD AND built in wi-fi.
Finally, Nikon has come aboard the wi-fi train with no dongle! Discussed this with them a bit and it, and I understand why it took this long, but never happy about it. Glad that’s over with.
And a 3.2-inch variable angle with an Full Frame camera? And after having handled the LCD, the build is strong Nikon quality I’m gonna trust.

D750_24_120_top_2
Double SD card slots,there is some slight changes on what you have been used on where things are on the body. Not controls so much as cards and batteries.

D750_DoubleSlot_2

Speaking of batteries, it’s not a brand new size/shape it uses the EL-EN15.
The ISO is essentially 50-51,200. Not the insane goodness of the higher priced models in the line but what do you really need?
It’s a lighter, more powerful, video-licious, update to the D700 workhorse, and for abut $1000. less than the D810, you have a great choice compared to the 36MP D810.
I think I’ve made mine.
Here are the highlights:
*24mp
*6.5 FPS
*50-51,200 ISO
*VARI-ANGLE LCD !!!!
*BUILT IN WI-FI!!!!!

Is that enough? Hit my wish list!
Don’t want to forget the brand new 20mm 1.8. Another sweet addition to the Nikon line-up.

  • AFS_20_1.8G

    Yes it’s bigger than my old standby, but better.
    When shooting rock, a 20mm always goes in the bag, and it’s been a 20mm 2.8. Time for the upgrade.
    So..
    Here are the highlights:
    *24mp
    *6.5 FPS
    *50-51,200 ISO
    *VARI-ANGLE LCD !!!!
    *BUILT IN WI-FI!!!!!

    Is that enough? Hit my wish list!

    OK, one other item they introduced:

    The SB-500 with flash and LED for continuous fill on your video. Powered by 2 AA batts., it’s a small package that should get you through a short shoot. Carry those batteries always for a longer shoot.

    SB500_front34r

    And now, the official word:

    Today, Nikon Inc. announced the D750, the D- SLR that provides adept enthusiasts with the powerful combination of pro-caliber photo and video features with FX-format image quality. The new D750 represents a leap forward for this camera segment, inheriting some of the best elements from Nikon’s revered full-frame professional cameras, with new and refined features aimed at sparking creativity and sharing with built-in Wi-Fi. Additionally, Nikon has also announced the SB-500, a versatile yet compact multimedia Speedlight, and Nikon’s fastest ultra wide-angle lens yet, the new AF-S NIKKOR 20mm f/1.8G ED. These new products easily supplement a professional’s kit, while making it more appealing than ever for enthusiasts to discover the intense and immersive image quality that only an FX-format sensor can offer.

    “The Nikon D750 is the camera many have been waiting for; never before has this level of functionality and vast feature set been offered in a full frame D-SLR, at such an attractive price,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “These new products, including the SB-500 Speedlight and 20mm f/1.8 lens are meant to directly address those who care about image quality and want the gear that will help drive their passion to the next level.”

    Serious Features for Advanced Shooters
    The new Nikon D750 provides professional-level features and performance in a durable, lightweight body. Whether the user is an advanced enthusiast or seasoned pro in need of a second body, the D750 easily complements any photographic discipline with a pro-caliber capability.

    Sharp landscapes and portraits are simple with Nikon’s advanced 51-point AF system, the same used on Nikon’s high-end D-SLRs. The Advanced Multi-Cam 3500-FX II AF focus system also easily tracks fast moving wildlife or sports, even at the rapid, high-speed burst rate of 6.5 frames per second (fps), at full resolution. Similar to the Nikon D4S, the D750 features the 91,000-pixel 3D Color Matrix Meter III and its blazing fast AF system uses 15 cross-type AF sensors for enhanced accuracy, with 11 cross-type sensors that are fully functional up to f/8. In addition to normal, wide area, face priority and subject tracking AF modes, the D750 also features the new Group Area AF mode for enhanced accuracy. Challenging light such as a poorly lit wedding reception is also no problem for the D750, as the AF system has been improved with the ability to lock on to subjects in as little as -3 EV illumination, a first for any Nikon D- SLR.
    
    The D750 is Nikon’s first FX-format D-SLR with a tilting Vari-Angle LCD, with robust construction to meet the needs of working in the field. The precision 3.2-inch, 1,229K dot screen tilts to accommodate shooting overhead, at waist level and is ideal for shooting photos or HD video on a tripod. For those serious about using a D-SLR for video, the D750 delivers the same level of functionality found in the Nikon D810, with the maximum amount of manual control that’s essential for production applications.

    Next Level Image Quality
    The Nikon D750 features a newly developed 24.3-MP FX-format CMOS sensor to provide adept photographers with image quality that’s nothing short of astounding; with rich colors, beautiful gradation and a vast dynamic range. A myriad of other intelligent features help photographers to unlock their potential to create and share vibrant, tack-sharp images that takes an imaginative story from concept to reality.
     The new Nikon D750 features the EXPEED 4 Image Processing Engine, similar to the pro-level D810 and D4S. In addition to increasing energy efficiency and performance, EXPEED 4 contributes to the overall image excellence with noise reduction performance and other benefits.
     Whether shooting a vista bathed in full sun to a reception in minimal light, the camera produces images with exceptionally low noise in a variety of lighting conditions. The broad ISO range extends from 100-12,800, expandable from (Lo-1) 50 to (Hi-2) 51,200.
     Highlight Weighted Metering is ideal for capturing stage performances and events, preventing blown-out highlights in photo and video.
     The D750 also features the latest generation of Nikon’s Advanced Picture Control settings. The “Clarity” setting enhances midtones to emphasize intense image details and “Flat” Picture control is used for a broad tonal range, which is ideal for photo and video applications. Picture controls are also customizable in .25 increments, for maximum versatility in any shooting situation.

    Full Control of Advanced Video Features
    The D750 features the same level of advanced video functionality as the Nikon D810, an HD-SLR known in studios and on-set for its professional production pedigree. The camera can capture video in Full HD 1920×1080 resolution at 60/30/24p and gives videographers and multimedia artists full manual control, including aperture adjustment. Like D810, the Power Aperture feature provides smooth transitions while adjusting the aperture during recording, and in manual mode, users can control shutter speed and ISO.
    The D750’s compact size and affordability will make it a welcome addition to any production environment, as will its FX and DX-format crop modes that make it a snap to adjust the focal range without swapping lenses. Implementing another indispensable feature on-set, footage can be recorded to the dual SD memory card slots, or simultaneously output to an external recorder or monitor via HDMI for a variety of applications. Camera operators will also enjoy features such as headphone and microphone jacks, Zebra stripes to spot overexposed areas, as well as the ability to select frequency ranges for the internal stereo microphone. For time lapse, the camera utilizes Exposure Smoothing, a great feature that creates balanced exposure transitions between frames when using the time lapse or intervalometer feature.

    FX-Format Connectivity
    The Nikon D750 is Nikon’s first full frame D-SLR to include built-in Wi-Fi, which enables photographers to both share their images and capture remotely. Using Nikon’s free Wireless Mobile Utility App1, users can connect with their compatible mobile device, such as a smart phone or tablet. Once connected, a tap on the screen engages auto focus, while the camera can be triggered remotely, making it easy to position the camera in areas where access could be difficult. Once downloaded, users can also utilize popular applications and social networks to seamlessly share images, bringing the exciting image quality of full-
    frame to the feeds of friends and family, on the fly. The feature can also be used to scout and send location photos to clients, or instantly deliver photos processed with the in-camera editing features.
    For professional photographers and videographers, the camera also has the capability to transmit images over FTP using the WT-5a wireless transceiver plus the UT-1 Communications Unit. With these optional accessories, the camera can be triggered and controls operated in HTTP mode using the web browser of a mobile device. Live view as well as start/stop recording can also be enabled remotely, providing the ability to capture otherwise impossible footage, for example when the camera is mounted on a crane.

    Command Agility and Durability
    The camera is manufactured using a “monocoque” structural skin technique, which adopts durable carbon fiber for the front body and front cover, and resilient magnesium alloy for the rear cover and top cover. The resulting camera body is the ideal balance of substantial build quality and compact, yet lightweight design for comfortable all-day shooting. The structure is also sealed and gasketed to resist dust and moisture, and the shutter has been tested to 150,000 cycles. To further enhance build quality, the 3.2-inch tilting Vari-Angle LCD screen is joined to the camera using a durable three-axis metal mount, designed to withstand the rigors of professional use. Users can also opt to compose through a bright viewfinder with 100% frame coverage, with shooting info displayed using organic EL illumination.

    From a newlywed’s first kiss to a bouquet toss, a split-second can make or break an image; ergonomics and the ability to quickly adjust camera functions are important factors to consider for enthusiasts and pros. The new body design ensures a secure and comfortable grip regardless of the size of user’s hands, while button placement is considered for peak performance.

    Comprehensive Photographic System
    Whether upgrading a current system or switching to Nikon’s legendary image quality, Nikon offers an all-inclusive system of NIKKOR Lenses, Speedlights and accessories for every type of photographer. The Nikon D750 is compatible with more than 80 FX and DX-format NIKKOR lenses, the same optics that have built a lasting legacy of amazing image quality with brilliant sharpness and faithful color reproduction. For those upgrading from a DX-format lens system the D750 can also shoot in DX mode at 10.3-megapixels. The camera is compatible with Nikon’s Creative Lighting System (CLS) using the camera’s built in flash to control remote Speedlights for creative lighting possibilities. The new MB-D16 battery pack will also be released with the camera, to provide users with extended battery life as well as a functional vertical grip.

    AF-S NIKKOR 20mm f/1.8G ED: Fast Ultra Wide-Angle Lens
    The AF-S NIKKOR 20mm f/1.8G ED is the latest addition to Nikon’s popular f/1.8 series of FX-format lenses, which provide enthusiast photographers with fast, quality optics at an attractive price. This is Nikon’s first ultra wide angle lens with an f/1.8 aperture, allowing users to shoot in challenging light and create images with a pleasing separation between subject and background. With a 94-degree angle of view (FX), the lens is ideal for architecture, interiors, wide-angle landscape and creative group portraits. When paired with the compact D750, this lens is also a great solution for video applications that call for shooting in cramped quarters. This AF-S lens provides whisper quiet and fast autofocus capability, an internal focus design, and features Nikon’s exclusive Nano Crystal Coat to reduce instances of ghost and flare.

    SB-500: Versatile and Compact Video Speedlight
    The SB-500 Speedlight is an exciting addition to Nikon’s Speedlight lineup, offering users the unbeatable yet versatile combination of a compact yet powerful Speedlight and LED video light, covering a wide 16mm/24mm (FX/DX). The controls on the SB-500 are simplified, making it easy to explore the
    possibilities of creative lighting with Speedlights. For full control over illumination, the head of the Speedlight has a 90-degree vertical swivel to bounce light off ceilings, and rotates 180-degrees for soft lighting effects. For remote lighting possibilities, the SB-500 Speedlight can be integrated into a CLS system with two-group/two-channel control. The powerful LED light (100 lux) is a great option for lighting video, and can be operated independently. Additionally, the SB-500 Speedlight is also powered by only two AA batteries, reducing both its weight and size.

    Price and Availability
    The Nikon D750 D-SLR will be available in late September for the suggested retail price (SRP) of $2299.95* (body only). The Nikon D750 will also be available as a kit with the AF-S NIKKOR 24-120mm f/4 VR lens in mid-October. The MB-D16 battery pack/grip will be available for $485.00 SRP. The AF-S NIKKOR 20mm f/1.8G ED will be available in late September for an SRP of $799.95. The SB-500 Speedlight will also be available in late September for $249.95 SRP. For more information about these models, NIKKOR lenses or to download the new Capture NX-D software, please visit www.nikonusa.com.

Sony takes a bestseller and makes more sense in 2nd gen

I like a good photo gadget as much as the next shooter, maybe even more. When Sony introduced the QX series of cameras meant to be attached to a smartphone, it was a huge seller. The ability to get better photos on your phone intrigued the masses. I was interested but was not ready for a purchase.
Here is the initial vid:

Right?taking the lens off for tight spaces, and using the phone as a monitor?

But phones have gotten better. In a lot of different ways.And Sony has stepped up the game.
The new series has a model to let you add different lenses. and shoot RAW. And a 20MP Exmor sensor.
Shutter speeds of 1/4000-39 secs. NFC is also on board, which should be on the new iPhone.
Video? you bet: 1920 x 1080 (29.97fps approx. 16Mbps)
Is this going to eat up all your memory, like my Hyperlapses are?
Nope,use a sweet Micro SD card.
ILCEQX1_wXperiaNEW_4-1200
You do have to go through the Sony app to upload your images to, the upload from, so no direct access to Instagram, Facebook, and Twitter.
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Yes batteries,and an APS-C sensor.

Do you want one? Come November you can pay $400 and get one. Not sure if it’s quite the now classic NEX-6, but the feeling that they stripped away the body and left the essentials is strong.
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Sony is listening to the consumer who wants to share high quality images fast. wait, not fast: NOW!

And now the official word:

Building on its strong history of innovation in the digital imaging market, Sony Electronics has today announced two additions to their unique line of Lens-style Camera.

Designed for mobile photography enthusiasts, the new high-zoom DSC-QX30 and E-mount interchangeable-lens ILCE-QX1 models combine the power of a premium compact digital camera with the convenience and connectivity of today’s smartphones, utilizing Wi-Fi® connectivity to instantly transform a connected phone into an extremely powerful photographic tool.
The new cameras utilize the latest version of Sony’s PlayMemories Mobile™ application (version 5.0 for Android and iOS devices) to connect wirelessly to a smartphone quicker than ever, converting the bright, large LCD screen of the phone into a real-time viewfinder with the ability to frame shots, adjust zoom, release the camera shutter, start/stop video recordings and control other basic camera settings. The new app version 5.0 features an updated user-friendly interface that adds gridlines for easy image framing and a mirror mode ideal for self-portraits.
For added convenience, the app can be activated using NFC one-touch with compatible devices. Once pictures are taken, they are saved directly on both the phone and the camera, and can be shared instantly via social media or other common mobile applications.

New QX1 Interchangeable-lens Version
The new E-mount ILCE-QX1 lens-style camera gives photography enthusiasts a whole new way to take advantage of their α Mount System* lens collection.
Compatible with Sony’s growing range of E-mount lens offerings including zoom, portrait, wide-angle, macro and more, the new QX1 camera features a built-in 20.1 megapixel APS-C size Exmor CMOS sensor that grabs huge amounts of detail for landscape shots and beautiful ‘bokeh’ background defocus. It’s teamed with Sony’s advanced BIONZ® X processor that now features improved area-specific noise reduction for stunning low-light images.
The unique new QX1 camera features a wealth of other premium features, including Superior Auto, RAW image shooting and a pop-up flash to brighten up portraits in backlight situation, gloomy interiors and night scenes.

New DSC-QX30 30x optical zoom Model
The new compact sized DSC-QX30 camera brings the power and versatility of a 30x optical zoom lens to mobile photographers, eliminating the frustration and poor quality commonly experienced when zooming-in using a smartphone camera. Additionally, the extensive 30x zoom is aided by Optical SteadyShot™ image stabilization to minimize camera shake throughout the zoom range. Clear Image Zoom is also available, utilizing advanced color and pattern matching technologies to allow the QX30 to reach an impressive 60x magnification digitally without sacrificing pixel count.
Awesome zoom power is matched by lock-on AF and speedy continuous shooting at up to 10fps, letting photographers capture fast-moving action with an accurately focused burst of split-second images. For video enthusiasts, the QX30 model can also shoot Full HD video at a smooth 60p frame rate at the touch of a button.
Pricing and Availability
The new QX30 and QX1 lens-style cameras will be sold for about $350 and $400, respectively. The QX30 will be available this September, and the QX1 will be available this November at Sony retail stores (www.store.sony.com) and other authorized dealers nationwide.

* Requires Mount Adaptor when attached with A-mount lens

#PhotoSchool – Learn photography from the cool guys

There are so many ways to learn photography, with the plethora of online schools making study at home a pretty easy choice to make.

You should want to learn from those who make their living at it, though, then you’ll get methods that truly “get the money”
Famed photographer Michael Muller, and Patrick Hoelck have joined forces to create PHOTOSCHOOL They bring you, currently, over 60 teaching vids, with subject ranging from Fundementals, Natural Lighting, Studio Lighting, and Photoshop teaching sessions with the retouchers these guys use to deliver their assignments.

How many of you have met with the retouchers you need to finalize your work? exactly. here they are.

There is true gold here, and if you want to improve your commercial photography game, you should start mining that gold now.

They have also brought in some of their friends to give even more expanded insight.
Estevan Oriol, and Brian Bowen Smith bring you anothr perspective with their unique visions. Gotta be honest, I went to Estevans site and may make a purchase or 2.

When I say the cool guys, what does that mean? It’s not the clothes, or the hair. Nope. It’s the vision that is current and consistent with each one. Their style that is in shown in the work, makes them the cool kids.

These are the people that are shooting the magazine covers and movie posters today. This is who you want to learn from.
After going through a variety of lessons, I will say that the production value is a bit rough. No question.
Did they shoot it with an Alexa? nope.
You may be saying “why am I learning from these guys who aren’t lighting the lessons like a Hollywood movie?”
Because we are lucky they are revealing their secrets and tools, for only $25. a month. That’s why.
How about the Triple Key Lighting? Yeah, you didn’t know about that. Either did I.
Now you are going to learn about that and a ton more, just in the Studio lighting section.

When I started in the business I was an assistant photographer, working in a commercial studio. Then I went to university and studied photography, film and fine art.
What I learned from a working pro, I still use today. These lessons have already been schooling me in a very good way.

AND with each lighting lesson, you get to see the final shots, usually multiple models, with the tech data.Plus, if you have questions about something within the lesson, they will respond by email.

Here’s what you get, from the site:
Interviews
A great place to start; Our teachers share their about experience learning photography, and how they turned it into a career. Topic also include their creative process’, with plenty do’s and dont’s along the way.
Fundamentals
Our guest teacher Brian Bowen Smith apprenticed for legendary Photographer Herb Ritts for many years and has become one of busiest celebrity photographers in the business. We are honored to have him kick things off with some fundamentals.
Natural Light
Shooting with natural / available light is the most important skill to master when learning photography. Learn these looks and you’ll be able to get a great look in any location.
Studio Lighting
Studio lighting is about having complete control. From a cheap strip of halogen lighting form the hardware store to 15 strobes in a studio, you are responsible for every highlight, shadow, and reflection in your models eyes.
Note: Occasionally you’ll see a light or two set up, but not in use – don’t worry – our teachers will point out every light they’re using in each lesson.
Photoshop
Photo processing and retouching is an enormous part of creating an image, and unfortunately Photoshop is the most miss-understood, and miss-used tool available to young photographers. Jess & Andi are Michale and Patrick’s Photoshop guru’s. In these lessons, they will show you the exact techniques they use daily for movie posers and magazine covers.

Check out the preview above, see if it’s right for you google these guys and check out their work.
I’m telling you though, no matter how you shoot, you are going to learn some valuable lessons, that you’ll never forget.
I already have.
Check out PhotoSchool.com